This story can be found in the New Yorker https://www.newyorker.com/magazine/20...
It
starts as a fairy tale would "Once upon a time , in a faraway land,
there was a forest" but these forest memories are not the memories of
trees, but the memories of four young men in the mid 1960's going there
to experience their first 'grass' . Yet it is none of these men who are
recalling their memories telling others the story or stories of that
night. Instead, it is the daughter of one who is the narrator of this
story years later, after her father has died. Her own memory of it is a
six year olds, and that amounts to him going away and returning from
this "Short trip north, some fishing, a little duck hunting, maybe"
So
how does she 'tell' the story of that night? ****SPOILER ALERT ****Why
via one-foot-square yellow Mandala Consciousness Cube of course! It
seems her father took part in a consciousness storage project and his
consciousness stored for that academic experiment was later transferred
to a Cube where she could view them, and later she had them transferred
into the Collective Consciousness, where lucky for her as the narrator
of this story she found all four men’s memories.
From these she
has constructed the story, or at least a fuller version of the story of
that night. Her authorial problem is in many ways the same as any
researcher for a historical biography would have " ... my problem is the
same one that everyone who gathers information has: What to do with it?
How to sort and shape and use it? How to keep from drowning in it? Not
every story needs to be told."
I wish more had been made of this
authorial dilemma. On one reading this I am left with thinking -
Consciousness Storage is an interesting concept but not totally novel so
why use it as a device in this story? Well the answer comes not in the
story but in the linked New Yorker interview Egan does entitled "The
Dangers of Knowing" https://www.newyorker.com/books/this-... .
So if you intend to read her forthcoming book The Candy House
this is for you as that is where this is explored further through a
common character, one of the men Lou Kline, the father of our story's
narrator.
Monday 3 January 2022
Short Story Review: What the forest remembers by Jennifer Egan
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