Creole by José Eduardo AgualusaMy rating: 3 of 5 stars
View all my reviews
Wednesday, 16 November 2022
Thursday, 10 November 2022
Short Story Podcast Review: The Cafeteria in the Evening and a Pool in the Rain by Yoko Ogawa, read by Madelaine Thien
The Cafeteria in the Evening and a Pool in the Rain by Yōko Ogawa Text at https://www.newyorker.com/magazine/20...
Audio at New Yorker Fiction podcast Oct 1st 2022
I just listened to Yōko Ogawa's story The Cafeteria in the Evening and a Pool in the Rain on the New Yorker Fiction Podcast Oct 1st 2022 . The podcast audio is read by Madelaine Thien. For me here voice took a little getting used to, I found it too soft, airy, and had to grind my teeth a bit, but I persevered and acclimatized enough to enjoy the story. What was excellent was the discussion Thien and the podcast host Deborah Treisman had about the story afterwards. One to recommend I think.
View all my reviews
Monday, 7 November 2022
Book Review: Good Offices by Evelio Rosero, tranls by Anna Maclean and Anna Milsom
Good Offices by Evelio RoseroMy rating: 3 of 5 stars
A marvelous novella for reading around Halloween. Billed as a
satire on the Catholic Church I was a little concerned before picking
it up as I am not a great reader of the comical, quite often don't get
written humour of any form, but this is one that left me desperately
wanting #Guillermo del Toro to get hold of the movie rights. . Its
gothic, its surreal, its horror, its Bacchanalian, it reminded me of
Victor Hugo, of Robert Burns.
It simmers towards its climax on the night Father Almida and his right hand man the sacristan are off visiting his church's benefactor vainly trying to keep their income flowing, leaving the acolyte Tancredo (the Hunchback), Sabrina the sacristan's niece (Esmerelda) and the church's cooks, the three Lilias (the Three Witches) to host the last minute, last option locum priest Father Matamoros (Auld Nick) who has come to stand in for Father Almida at Mass. To their amazement this disheveled, drunken substitute sings the mass with the voice of an angel and transforms the parishioners. Who can blame them for not wanting Almida to return!
Beautifully translated by Anne Maclean (in this case along with Anna Milsom - the two of them have also translated his Feast of the Innocents) Maclean has also translated the other works by him ( The Armies and Stranger to the Moon and most recently Tono the Infallible) which have so far appeared in English. It would be great to get this translated work available as audio recording.
It simmers towards its climax on the night Father Almida and his right hand man the sacristan are off visiting his church's benefactor vainly trying to keep their income flowing, leaving the acolyte Tancredo (the Hunchback), Sabrina the sacristan's niece (Esmerelda) and the church's cooks, the three Lilias (the Three Witches) to host the last minute, last option locum priest Father Matamoros (Auld Nick) who has come to stand in for Father Almida at Mass. To their amazement this disheveled, drunken substitute sings the mass with the voice of an angel and transforms the parishioners. Who can blame them for not wanting Almida to return!
Beautifully translated by Anne Maclean (in this case along with Anna Milsom - the two of them have also translated his Feast of the Innocents) Maclean has also translated the other works by him ( The Armies and Stranger to the Moon and most recently Tono the Infallible) which have so far appeared in English. It would be great to get this translated work available as audio recording.
View all my reviews
Subscribe to:
Posts (Atom)